SOUND ART

“HAINLAB” (2025)

Playable tape and test equipment installation, commissioned by SMEM (Fribourg, Switzerland). Created in the spirit of 1950s electronic music studios, the Hainlab is an accessible way to discover the sound and techniques of early electronic music.

“DESTRUCTION LOOPS III” (2022)

Commissioned by the Impulsfestival Halle, Germany, this self-destructing installation is a statement against far-right culture politics.

“LANDFILL TOTEMS” (2019)

Premiered at PNDT Art Gallery, Berlin. A monument to electronic waste, Landfill Totems re-activates unused test and measurement into a playable instrument. Three statues sing a swan song to our age of planned obsolescence